잡지 뉴요커 선정 2019년 최고의 영화

크리틱 콘센서스는 아니고 뉴요커지의 대표적 평론가인 Richard Brody가 선정한 리스트


*무순임


“The Irishman” (Martin Scorsese)


“The Dead Don’t Die” (Jim Jarmusch)


“An Elephant Sitting Still” (Hu Bo)


“Us” (Jordan Peele)


“Coincoin and the Extra-Humans” (Bruno Dumont)


“Uncut Gems” (Josh and Benny Safdie)


“My First Film” (Zia Anger)


“A Family Tour” (Ying Liang)


“One Child Nation” (Nanfu Wang and Jialing Zhang)


“Her Smell” (Alex Ross Perry)


“The Two Faces of a Bamiléké Woman” (Rosine Mbakam)


“A Beautiful Day in the Neighborhood” (Marielle Heller)


“Frankie” (Ira Sachs)


“Before Summer Ends” (Maryam Goormaghtigh)


“August at Akiko’s” (Christopher Makoto Yogi)


“Birds of Passage” (Cristina Gallego and Ciro Guerra)


“Atlantics” (Mati Diop)


“Richard Jewell” (Clint Eastwood)


“Hotel by the River” (Hong Sang-soo)


“Chaos” (Sara Fattahi)


“The Competition” (Claire Simon)


“Marriage Story” (Noah Baumbach)


“Pig” (Mani Haghighi)


“Burning Cane” (Phillip Youmans)


“Napalm” (Claude Lanzmann)


“Varda by Agnès” (Agnès Varda)


“Chez Jolie Coiffure” (Rosine Mbakam)


“Tux and Fanny” (Albert Birney)


“Harriet” (Kasi Lemmons)


“Little Women” (Greta Gerwig)


“Ad Astra” (James Gray)


“Sword of Trust” (Lynn Shelton)


“Return to Bollène” (Saïd Hamich)


“High Flying Bird” (Steven Soderbergh)


“Black Mother” (Khalik Allah)


“Cassandro, the Exotico!” (Marie Losier)


“Chained for Life” (Aaron Schimberg)


“The Laundromat” (Steven Soderbergh)


“American Factory” (Julia Reichert and Steven Bognar)


“Waiting for the Barbarians” (Eugène Green)


“The Image Book” (Jean-Luc Godard)


“Portrait of a Lady on Fire” (Céline Sciamma)


“The Burial of Kojo” (Blitz Bazawule)


“Two Plains & a Fancy” (Lev Kalman and Whitney Horn)


“Recorder: The Marion Stokes Project” (Matt Wolf)


“Ghosts of Sugar Land” (Bassam Tariq)


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https://www.newyorker.com/culture/2019-in-review/the-best-movies-of-2019