Within the first few months of 2025, the studio will unveil a mix of genre fare and filmmaker-driven originals, including “Companion,” a low-budget sci-fi thriller with Sophie Thatcher and Jack Quaid (Jan. 31), “Parasite” director Bong Joon Ho’s oft-delayed $80 million-budgeted “Mickey 17,” starring Robert Pattinson (March 7), “Wag the Dog” director Barry Levinson’s $45 million gangster drama “Alto Knights,” in which Robert De Niro stars opposite himself as a mob boss (March 21), the Jack Black-led “A Minecraft Movie,” a live-action adaptation of the popular video game (April 1) and “Sinners,” a $90 million-budgeted vampire horror story from “Black Panther” and “Creed” director Ryan Coogler and star Michael B. Jordan (April 18). Except for “Minecraft,” these films don’t have the benefit of brand recognition and will require clever promotions and compelling advertising to get audiences to buy tickets.
“Their next five movies are really in trouble, so it’s curious they’d do this [executive overhaul] now,” says one industry executive on the condition of anonymity. “‘Superman’ will be a massive hit. Everything else on their entire slate is a question.”
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Why Warner Bros. Fired Its Marketing Boss Ahead of Risky Film Slate
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